It’s not Bal-Sagoth’s Apocryphal Rites, the 2013 re-release of their 1993 demo with some added bonus tracks, such as “Hyperborean Requiem”, an experimental piece dating all the way back to 2004, but that doesn’t mean it can’t be awesome, right? For each given year, many an album will find themselves subjected to anticipation. Few, however, will ever be faced with such a gargantuan amount of it, as Kull’s debut Exile has been from my part. It is not, for me, simply the most anticipated album of the year – it is the most anticipated album of the decade. I doubt … Continue reading Does The Vow Of The Exiled Fall On Deaf Ears? A Kull Review