It’s been a wild auld ride for Flotsam And Jetsam. 2016’s self-titled Flotsam And Jetsam was, in many ways, a reset for the band. After all, it followed a string of largely forgettable albums that served mostly as a reminder of a once mighty musical force reaching its natural conclusion. Three decades in, consistent recording, constant touring, content to circle the sound that they helped pioneer in the 1980s. Their first two records, 1986’s Doomsday For The Deceiver and 1988’s No Place For Disgrace aren’t as widely discussed as their contemporaries but the Arizona band are a wildly important band … Continue reading Review: Flotsam And Jetsam – Rats In The Temple