A new Rob Zombie album hits us during what seems to be the waning era of the resurgence of nu metal within pop culture, a resurgence that primarily involved nostalgia for the old bands and not much in the way of enthusiasm for newer ones, except for the occasional, tangentially-related outlier like Fleshwater. Honestly, the spiritual legacy of nu metal, pop-industrial and post-grunge cock-rock seems better represented right now through bands like President or Sleep Token—bands considered tasteless and “cringe” by many, bands that don’t have any real critical laudits behind them and are regarded as a bit embarrassing in … Continue reading Review: Rob Zombie – The Great Satan