{"id":106739,"date":"2021-02-25T09:00:22","date_gmt":"2021-02-25T15:00:22","guid":{"rendered":"https:\/\/toiletovhell.com\/?p=106739"},"modified":"2021-02-24T11:18:53","modified_gmt":"2021-02-24T17:18:53","slug":"review-astral-tomb-degradation-of-human-consciousness","status":"publish","type":"post","link":"https:\/\/toiletovhell.com\/review-astral-tomb-degradation-of-human-consciousness\/","title":{"rendered":"Review: Astral Tomb – Degradation of Human Consciousness<\/i>"},"content":{"rendered":"
<\/div>\n

What is cavernous death metal without its cavern?<\/p>\n

This was widely considered* to be one of life’s greatest mysteries by the death metal elite,** but it has been solved with the release of the newest EP from\u00a0Denver’s\u00a0Astral Tomb<\/strong>. It’s hard to say whether that was by design or not, though; the allure of cavernous death metal lies in its relatively simple riffs blown up to massive proportion with a ton of reverb. Taking away the reverb, the part of of the equation that creates the “cavernous” sound, would normally be near-crippling to a band like this.<\/p>\n

But Astral Tomb are no normal cavernous death metal band. Their recent appearance on the four-way Chasm of Aeons<\/em> split alongside\u00a0Cryptic Shift<\/strong>,\u00a0Replicant<\/strong>, and\u00a0Inoculation\u00a0<\/strong>was easily weird enough to hang with the other three, something resembling the bastard child of Blood Incantation<\/strong> and\u00a0Calcemia<\/strong>. It was a little rough around the edges compared to the other three, but I’d argue it was a strong enough showing to prove they could emerge from their subterranean lair and carry themselves on their weird, alien riffs.<\/p>\n

I’m a big enough person to admit when I’m wrong.<\/p>\n