Come 2 Patagonia.
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(This article was written by Professor Guanaco<\/strong>. Professor Guanaco is a linguistic anthropologist studying Patagonian music. You can follow her work on Instagram<\/a>.)<\/p>\n
Formed in the city of Comodoro Rivadavia in 1997, Razzia plays thrash metal with lyrics rich in
\nreferences to local history and landscapes. Their second full-length Siguiendo la huella<\/em> is a formidable album featuring dynamic guitars, galloping drums, and harsh vocals. Opening track \u201cDanzas macabras\u201d kicks the album off to an aggressive start, with appropriately danceable riffs backing the vocalist\u2019s call for his listeners to rise to action.<\/p>\n
The other tracks are equally gripping, featuring frequent guitar solos as well as cool outros that add a final twist. The songs are catchy, too. I\u2019ve had the guitar solo from the middle of \u201cEl rastro del choique\u201d stuck in my head for the past week. Most of the album is pretty full throttle, but when the band does dial back the intensity, they do so to great effect. \u201cAnunciando el final,\u201d my personal favorite on the album, starts off heavy before the aggression dissolves away to make room for several beautiful guitar solos. The track then slowly builds back up via the bridge, with spoken vocals ramping up to erupt in a furiously shouted climax. Epic.<\/p>\n