{"id":119185,"date":"2023-08-07T11:00:05","date_gmt":"2023-08-07T16:00:05","guid":{"rendered":"https:\/\/toiletovhell.com\/?p=119185"},"modified":"2023-08-07T11:06:24","modified_gmt":"2023-08-07T16:06:24","slug":"review-gom-jabbar-pissing-contest-self-titled-split","status":"publish","type":"post","link":"https:\/\/toiletovhell.com\/review-gom-jabbar-pissing-contest-self-titled-split\/","title":{"rendered":"Review: Gom Jabbar\/Pissing Contest<\/b> – S\/T Split<\/i>"},"content":{"rendered":"
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A new split from underground stalwart label Morbid And Miserable Records bubbles into the ether, continuing a solid calendar year that most prominently included Slog<\/strong>‘s new death\/doom highlight Divination<\/em> and the uppity Cancerworm<\/strong>-worship of horror-obsessed punks The Cult Of Spaceskull<\/strong>. The self-titled split sees Toledo-based band Gom Jabbar\u2014<\/strong>a frenetic three piece mixing elements of powerviolence, noise, and harsh black metal\u2014join forces with frenetic grind outfit Pissing Contest<\/strong>. The latter are ordinarily a marked contrast to the stylings of Gom Jabbar. Primarily a grimey crust and grind project, Pissing Contest’s contribution to the new split is taken from studio sessions during the recording of their punishing 2020 self-titled EP, unreleased until now.<\/p>\n

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With both projects providing a single track, they both end up running a little under ten minutes each\u2014uncharacteristic of Pissing Contest’s shorter burst of emphatic, rollicking grind.<\/p>\n

Gom Jabbar’s “Magic In Numbers” begins with a wet, bassy tone that underpins the track’s introduction. The tone stays consistent and bubbles beneath mountain of building feedback and contact microphone scraping. The manipulated noise-working is indicative of the projects power electronics and harsh noise influence, with the specific influence of Sissy Spacek<\/strong> on the record acknowledged by the band.<\/p>\n

A drum fill bursts from the static and signals a passage of raw guitar riffing, blisteringly cold and semi-perceptible through feedback. Gom Jabbar sound here like a mangled Man Is The Bastard<\/strong> in many ways. Whereas the best tracks of Man Is The Bastard that they share similarity with were defined by sharp transitions from sludgy, bass-driven dirges with short accents to frenetic hardcore assaults\u2014specifically a track like “Puppy Mill”\u2014Gom Jabbar’s sheer shrillness and sharpness almost inverts that sound, veering on the edges of black metal with its swirling free-form vortex.<\/p>\n

While I’m no expert on the Dune series, the name Gom Jabbar seems appropriate. The titular Gom Jabbar is an assassination tool from the setting\u2014a poison-tipped needle that kills near-immediately. A corrosive sharpness defines “Magic In Numbers”\u2014a track that’s tight and suffocating, bursting out like air from a constricted throat.<\/p>\n