{"id":123707,"date":"2024-08-28T11:00:55","date_gmt":"2024-08-28T16:00:55","guid":{"rendered":"https:\/\/toiletovhell.com\/?p=123707"},"modified":"2024-08-27T20:52:53","modified_gmt":"2024-08-28T01:52:53","slug":"review-flagman-tastes-incredible","status":"publish","type":"post","link":"https:\/\/toiletovhell.com\/review-flagman-tastes-incredible\/","title":{"rendered":"Review: Flagman<\/b> – Tastes Incredible<\/i>"},"content":{"rendered":"
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Self-described as \u201cPrimus<\/strong> from Hell,\u201d Flagman<\/strong>\u2019s newest album proves them worthy of that crown\u2014and then some.<\/span><\/p>\n

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Comparisons are a bit of a blessing and a curse. On one hand, having one’s metal band juxtaposed with the very acts that inspired it must feel pretty fulfilling. On the other hand, bands that lean too far into their influences often come across as tedious. In the worst case, all the hard work put into a new full-length will be spoken with the same excitement as a show from the local Led Zeppelin<\/strong> cover band. For this very reason, I worried about introducing Florida’s Flagman as a band inspired by bands X, Y, and Z. Then again, the band’s social media pages include a prominent fan quote, crowning the experimental alt-metal act as “Primus from Hell.”<\/span><\/p>\n

But why not aim to fill that void of slap bass and southern twang? Primus is more concerned with Rush<\/strong> albums and children’s books to release another <\/span>Frizzle Fry<\/span><\/i> or <\/span>Pork Soda<\/span><\/i>.<\/span><\/p>\n

I’d argue that not as many youngsters take on the classic eras of acts like Primus and Mr. Bungle<\/strong> due to the sheer musical complexity at their strongest moments. Your average 2020s nu-nu-metal bassist couldn’t keep up with a bassline like one from “Jerry Was a Race Car Driver” or “Tommy The Cat.” Bassist\/vocalist Sam Stewart, however, manages to play lines that satisfy that same itch. He also manages to nail a remarkably solid impression of Mike Patton of Faith No More<\/strong> and Mr. Bungle fame. Stewart’s funhouse grooves share a rhythm section with a powerhouse performance from Grant Freeman. His drum lines are tight, exciting, technical, and powerful. This is heard in blistering moments like the verses on “Hot Off The Log” and the more edgy build-up segments on songs like “Hollow.”<\/span><\/p>\n