{"id":125091,"date":"2024-12-19T09:00:30","date_gmt":"2024-12-19T15:00:30","guid":{"rendered":"https:\/\/toiletovhell.com\/?p=125091"},"modified":"2024-12-19T09:04:32","modified_gmt":"2024-12-19T15:04:32","slug":"review-cranial-vortex-infinite-interactions","status":"publish","type":"post","link":"https:\/\/toiletovhell.com\/review-cranial-vortex-infinite-interactions\/","title":{"rendered":"Review: Cranial Vortex<\/b> – Infinite Interactions<\/i>"},"content":{"rendered":"
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A Cosmic Rebirth, or a New Beginning?<\/p>\n

From 2018 to 2023, there was a little-known project called Vredensdal<\/strong>, spearheaded by Mikael Vredensdal\u2014the project was an American take on classic black metal, or as the man himself dubbed it, “New Wave of USBM<\/em>.” And for that 5-year period, Vredensdal was a prolific entity, releasing 4 LPs and 2 EPs and getting some buzz in underground circles around the world as well as a co-sign with Soulseller Records, home of Gorgoroth<\/strong> and Sarke<\/strong>. Suffice to say, the project had good momentum, and since most of us were locked at home with nothing to do at the start of the decade, finding a project like this was easy enough, and the music itself was also good if not great, especially for people into the more thrash-driven styles of black metal.<\/p>\n