{"id":29888,"date":"2015-07-14T13:00:13","date_gmt":"2015-07-14T18:00:13","guid":{"rendered":"http:\/\/www.toiletovhell.com\/?p=29888"},"modified":"2024-04-17T08:59:32","modified_gmt":"2024-04-17T13:59:32","slug":"whats-going-down-under-part-1","status":"publish","type":"post","link":"https:\/\/toiletovhell.com\/whats-going-down-under-part-1\/","title":{"rendered":"What’s Going Down Under? (Part 1)"},"content":{"rendered":"
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So you’re all up to date on the recent influx of great Australian metal that’s been featured on the bowl of late (Sewercide<\/a>, Psycroptic<\/a>,\u00a0King Parrot<\/a>, Sanzu<\/a>, Claret Ash<\/a>, Bloodlust<\/a>, Collosvs<\/a>, Disentomb<\/a> etc.), time to check out some selected artists from those, uhh.. other genres (apparently they still exist). So what exactly is<\/em> going on down under?<\/p>\n

Hip-Hop<\/h2>\n

Trem<\/strong><\/p>\n

Hailing from Melbourne’s\u00a0underground (yet highly influential) group Lyrical Commission<\/a>, Trem<\/a> has been on the solo tip for a few years now and shows exactly why he is still held in high regard among those old enough to remember the budding Aussie hip-hop scene at the turn of the century. With gritty, cerebral tight-flowing rhymes over authentic (and mostly) self-produced cuts, unlike many of the plastic market-geared hype MCs being promoted these days, Trem<\/a>\u00a0(<–another great track) has respect for the past and deserves your appraisal.<\/p>\n