{"id":37832,"date":"2015-10-28T11:00:31","date_gmt":"2015-10-28T16:00:31","guid":{"rendered":"http:\/\/www.toiletovhell.com\/?p=37832"},"modified":"2015-10-28T10:49:58","modified_gmt":"2015-10-28T15:49:58","slug":"down-into-the-dungeon-with-a-beargod","status":"publish","type":"post","link":"https:\/\/toiletovhell.com\/down-into-the-dungeon-with-a-beargod\/","title":{"rendered":"Down Into the Dungeon With a Bear(god)"},"content":{"rendered":"
Once upon a time, two men had the same idea upon the same week. This idea grew until it had become so dense it was more an entity of its own than a mere thought. A condensation of pure will. Then came a time this idea-entity shared\u00a0it’s mystifying power with these men. Some feared them, some chose to oppose them and for some, they were…<\/p>\n
NNNNNEEEEEEERRRRRDDDDDSSSSSSS!!!<\/a><\/p>\n One of these two men was Masterlord, and he did deliver unto you writing about Dungeon Synth some time ago<\/a>. At the time I was in the middle of making my own introductory post about DS, without any knowledge of Underlord Cesiumworm’s<\/a>* intents. I decided to to delay mine for his benefit, but it seems to me that the time is now, as more than one of you have at some point expressed at least vague interest towards this genre of greatness. But if you for some reason missed the first edition of Down Into the Dungeon, go read it<\/a> now<\/strong> as I won’t be going through the same stuff about its birth or beginnings, yet this is as much (or more) an additional leaflet meant to be consumed with the first one, instead of its own.<\/p>\n What I will say though, is that even though the\u00a0our Steeldragonless-semi-retiree showed you the way toward the genre’s classics, there was a severe lack of the Austrian scene, the importance of which we mustn’t undermine. So I shall point you toward these classics, even though many of them are wildly different from many of the “current masters” of the genre.<\/p>\n These bands\/artists are\u00a0not usually thrown headfirst into the DS genre, but honestly I feel it’s a similar case to\u00a0metal’s endless division of genres. And in any case, their influence on DS is undeniable, even if not as great as some of the Norwegian masters (who are releasing a new, horrid dance\/industrial\/rock album next year, news covered – never need to mention it again).<\/p>\n Last time Masterlord mentioned Mortiis<\/strong>, one of the most influential characters in the DS scene, and if you payed any attention you noticed that he started to drift away from the “Dark Dungeon Music” he had crafted as the new millennium dawned. Yet he had many side-projects of similar nature, and personally I enjoy these much, much more than the majority of Mortiis’ work. I have linked some of the work created under these other monikers below.<\/p>\n Before we venture off to entirely new territories, I’ll let you know that Sequestered Keep<\/strong>, whose work Lacertilian<\/a> gave a review here<\/a>,\u00a0has released new music, as of writing the latest album is called Summit Stronghold<\/em><\/a>s; it has\u00a0got a soundtrack-y feeling to it more than a traditional song-like one. The absence of a distinct beat makes it seem more like a symphonic piece translated for a synthesizer than anything, say, a metal band would do. Went straight to my “play on a hilltop while drunk”-playlist.<\/p>\n You should also \u00a0know\u00a0that Erang<\/strong>, who was covered in Masterlord’s effort, has released a new album called Tome X<\/em>. It’s a very diverse and atmospheric album, for much of the time it hardly fits into the “classic” categorization of Dungeon Synth, but\u00a0I would say that it is indeed his best (so far).<\/p>\n
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