{"id":44144,"date":"2016-03-09T13:00:27","date_gmt":"2016-03-09T19:00:27","guid":{"rendered":"http:\/\/www.toiletovhell.com\/?p=44144"},"modified":"2016-03-09T10:55:15","modified_gmt":"2016-03-09T16:55:15","slug":"guest-review-stan-gets-barbaric-with-cult-of-the-empty-grave","status":"publish","type":"post","link":"https:\/\/toiletovhell.com\/guest-review-stan-gets-barbaric-with-cult-of-the-empty-grave\/","title":{"rendered":"Guest Review: Stan Gets Barbaric with Cult of the Empty Grave<\/i>"},"content":{"rendered":"
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Barbarian<\/strong> are a three-piece hailing from Florence (Italy), and they\u2019re about to lay waste to the world\u2019s great civilizations with the gargantuan, primitive might of their new album, Cult of the Empty Grave<\/em>. Grab your bluntest instrument and your hardiest leather, because our main man Stan is going to walk you through this tour-de-force in style.<\/p>\n

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CotEG<\/em> is Barbarian\u2019s third album, and it continues the progression away from the Celtic Frost<\/strong> veneration of their eponymous debut and their crushingly heavy interpretation of NWOBHM meets thrash displayed of\u00a0Faith Extinguisher.<\/em> While still harnessing and upholding all of the traditions of 80s metal, on CotEG<\/em> Barbarian have taken the finest elements of the epoch and forcefully crammed them through an injection molder, producing something that is surprisingly fresh, lively and heavier than a concrete elephant. Simply put, what we have here are seven battle-ready anthems capable of inducing involuntary fist-pumps, coarse grunting and various other forms of erratic behavior.<\/p>\n

Opening track \u201cBridgeburner\u201d sets out the stall in fine fettle. The rampaging opening riff and deathly roar that lead the charge are followed closely by galloping guitars and pummeling drums. Tempo changes abound, and although none are particularly brisk, their structure creates urgency. Textural elements are provided by the heroic backing vocals of the chorus and a resonating solo, both of which add a nice counterpoint to all the bashing and bruising.<\/p>\n

The next two songs, \u201cWhores of Redemption\u201d and \u201cCult of the Empty Grave\u201d, are a tad less riotous, falling predominantly into the category of mid-tempo stompers, but don\u2019t let that description mislead you. They are both full of dynamic riffs that could cleave your cranium clean off. Bludgeoning rhythms are intertwined with soaring leads and brief speed metal forays resulting in instantly catchy, diverse and rabble-rousing little ditties.<\/p>\n