{"id":5096,"date":"2014-08-29T12:00:35","date_gmt":"2014-08-29T17:00:35","guid":{"rendered":"http:\/\/www.toiletovhell.com\/?p=5096"},"modified":"2014-08-28T22:08:48","modified_gmt":"2014-08-29T03:08:48","slug":"abandon-your-burden-pharmakon-debuts-a-new-track","status":"publish","type":"post","link":"https:\/\/toiletovhell.com\/abandon-your-burden-pharmakon-debuts-a-new-track\/","title":{"rendered":"Abandon Your Burden: Pharmakon Debuts A New Track"},"content":{"rendered":"
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Vulnerability is a word often associated with 23 year old Brooklyn noise artist Pharmakon<\/strong>, really Margaret Chardiet.
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\nPharmakon’s<\/strong> excellent 2013 release Abandon<\/em> caught me by surprise. Abandon<\/em> is a blend of industrial noise and power electronics that is very immediate,<\/em> but at the same time strangely listenable. That album put her\u00a0on the map for many; it received accolades on prominent music sites and earned Pharmakon a spot opening for Swans<\/strong> on their European tour this fall. I really, really, really hope that tour makes it stateside at some point. I voraciously read everything I could about Abandon<\/em>. She said Abandon<\/em> was about \u201cLoss. Losing everything. Relinquishing control. Complete psychic abandon. Blind leaps of faith into the fire, walking out unscathed. Crawling out of the pit.\u201d Check out “Crawling On Bruised Knees”, the last track from Abandon<\/em> sans the 27 minute bonus track “Sour Sap”.<\/p>\n