{"id":60524,"date":"2017-01-23T13:00:54","date_gmt":"2017-01-23T19:00:54","guid":{"rendered":"http:\/\/www.toiletovhell.com\/?p=60524"},"modified":"2017-01-23T12:57:16","modified_gmt":"2017-01-23T18:57:16","slug":"review-the-drip-the-haunting-fear-of-inevitability","status":"publish","type":"post","link":"https:\/\/toiletovhell.com\/review-the-drip-the-haunting-fear-of-inevitability\/","title":{"rendered":"Review: The Drip\u2013 The Haunting Fear Of Inevitability<\/em>"},"content":{"rendered":"
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We\u2019re just a few short weeks into 2017 and it didn\u2019t take long for a standout album to surface. Richland, Washington\u2019s The Drip<\/b>\u00a0have\u00a0delivered one of the the first killer\u00a0albums in a year where we all anticipate a whole slew of them. If these guys aren\u2019t on your radar, prepare for a surprise attack.<\/p>\n

If The Red Chord<\/b> bumped uglies with Nasum,<\/b> then their DNA is in the blood of The Drip. Add to that some dual guitar harmonies that bring to mind some subtle hints of Heartwork<\/i>-era Carcass <\/b>and you have yourself quite a wide range of influences on display here. Both The Red Chord and Nasum made their mark by taking their sound beyond that of a singular genre and The Haunting Sense Of Inevitability <\/i>feels like that concept has been taken a step further. When you break it all down, you come away with a band that is forging a sound all its own. The core influences of the band\u2019s sound are on display\u00a0right off the jump\u00a0with opener, \u201cBlackest Evocation\u201d, which starts off with a barrage of blast beats accompanied by some rapid fire chord progressions that course their way into a doomy death metal breakdown.\u00a0The pace is then picked up with a follow-up breakdown accentuated by pinch harmonics. Buckle up and keep going, dear listener, because\u00a0The Haunting Fear Of Inevitability\u00a0<\/em>continues to pummel, bludgeon and leave a path of destruction in its wake from the strike of the first note to the very last. Why stop throwing accolades around on just the first track? “Anathema” has another one of those doomy death metal breakdowns circa early Job For A Cowboy\u00a0<\/strong>that brings the proverbial house down with you the listener the recipient of the crumbling ceiling. Very early on, these two tracks set the tone on what sounds like The Drip has worked out all the fine details as they rip their way through each track.<\/p>\n