{"id":63752,"date":"2017-03-29T11:00:34","date_gmt":"2017-03-29T16:00:34","guid":{"rendered":"http:\/\/www.toiletovhell.com\/?p=63752"},"modified":"2017-03-29T08:07:28","modified_gmt":"2017-03-29T13:07:28","slug":"review-berefts-lands-carves-a-path-in-doom","status":"publish","type":"post","link":"https:\/\/toiletovhell.com\/review-berefts-lands-carves-a-path-in-doom\/","title":{"rendered":"Review: Bereft\u2019s Lands<\/i> Carves a Path in Doom"},"content":{"rendered":"
<\/div>\n

The hand of doom has many fingers. Whether you\u2019re lighting up, fighting dragons, or attending a burial, there\u2019s a doom for that. Bereft<\/strong> take on a sort of post-blackened doom, if I had to categorize it, but I\u2019d prefer to let it speak for itself.<\/p>\n

<\/p>\n

In their debut EP <\/a>(Lost Ages<\/em>, 2014), the doom was present but less impressive than the post-black offerings. I never felt that sense of dread that should come with the genre, as the style was there but didn\u2019t convey its purpose. It\u2019s a good EP, despite me being seemingly tough on it, but there\u2019s a reason for that. The jump they made between then and now was subtle, but made all the difference in the world.<\/p>\n