<\/a><\/p>\nWhich of the Peaceville three – Paradise Lost,\u00a0My Dying Bride, or Anathema – is your favorite, and why?<\/b><\/p>\n
Every band that we love is attached to a significant moment of our life. I remember when my father handed me my first\u00a0Black Sabbath\u00a0and\u00a0Iron Maiden\u00a0records, it was life changing, especially during those pre-teenage years while I was learning how to play a guitar. As years went by, I discovered new sounds and many fantastic metal bands, including Anathema, Paradise Lost, and\u00a0My Dying Bride. Those were very special years and changed me as a composer, changed the way I saw music, and pushed me to both expand my limits as well as to start implementing what I nourished from my Italian background into my own style of songwriting. Above them all, Anathema had a very special place in my heart. Their focus on melody and mood over technicality was the one aspect that impressed me the most. Many of their early records are the soundtrack of my youth and helped me through a period of change and uncertainty.<\/p>\n
What are your goals for this band? Do you anticipate touring or releasing a full-length album in the near future?<\/b><\/p>\n
Right now we are finalizing the arrangements of our full-length release. The core of the songs has been written for some time now, but – as we discussed earlier – we are now deconstructing everything and trying to finalize all the tracks before we start recording. We are very grateful that many have been asking for a full length release from us and we promise to deliver soon. As far as shows, we have been pretty active playing some fantastic bills in Chicago (most recently with\u00a0Amorphis\u00a0and\u00a0Swallow the Sun<\/strong>) but at this very moment we are focusing on songwriting and eventually touring as soon as the LP is released.<\/p>\nHow does the sound of your new music compare to what you have already released?<\/b><\/p>\n
Without spoiling anything, we are hoping to provide a very dynamic and diverse experience to the listener. Life is not monochromatic and, as I stated before, each song will be a a short story with a different setting and tone. I can only speak for myself here, but I know that once we enter the studio everything will change organically, and I am very excited to experience that.\u00a0In the past, I \u201cused\u201d recording studios to strictly \u201crecord\u201d pre-established ideas. I\u2019ve swayed away from that mindset. Nowadays, I walk into the studio with an open mind, listening to the engineer’s ideas and suggestions and trying new things and sounds until the music firmly and vividly complements the message that we are trying to convey – treating it as a collaborative creative experience.<\/p>\n
You also compose and conduct orchestral music. Tell me about the pieces you’re working on and the challenges you’ve faced in transitioning to conducting an ensemble.<\/b><\/p>\n
Without any misinterpretation, I only recently started working with an orchestral ensemble. I always wanted to hear my music being performed by classical instruments; it is a very different kind of creative experience which is now deeply affecting me. This endeavor is both gratifying as well as very challenging. I am learning to work with many talented and fantastic professionals who come from a completely different musical world – they inspire and motivate me. One of my first official attempts in mingling with a classical ensemble was during the composition of \u201cLa Mela.\u201d To achieve it, I simply reached out to my peers: I messaged [cellist] Josie Boyer and Bruce Lamont, they were into it, and we all made it happen. Ever since then, I kept on writing music intended to be played by orchestral instruments, but truthfully I did not find the spark to get it going. Recently, I was asked to perform my solo material as opening act for\u00a0Xasthur<\/strong>\u00a0(acoustic); this was the opportunity and motivational deadline that I was looking for. I started asking for help and referrals and I immediately received a great amount of support and local interest \u2026 In life, sometimes you just need to do it, to take that leap, and hopefully everything will fall into place. The first and immediate challenge with working with an ensemble of professionals was to mediate between so many people\u2019s availability and to schedule rehearsals. To be efficient, I divided the ensemble in different groups: at first, I started working with a smaller brass ensemble, then I introduced the strings, and once the musical foundation was established I began working with everyone as a whole and fine-tuned counterpoints and arrangements. As far as the music itself, I am currently working on three suites and I can’t wait to share them publicly.<\/p>\n
\nVaraha’s debut EP is available via Bandcamp<\/a>. For more on the band, visit their website<\/a>.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"Chicago has a long history of doom metal greatness, running from Trouble to Bongripper. One band that has recently been making waves in the scene is Varaha, who unleashed an atmospheric take on the venerable genre with a debut EP earlier this year. The record reveals a group fascinated by the possibilities of mingling evocative melodies with crushing riffage and features a guest appearance from saxophonist Bruce Lamont of Yakuza and Brain Tentacles. After catching Varaha’s excellent set as an opener for Amorphis, I exchanged messages with vocalist\/guitarist\u00a0Fabio Brienza about the band’s sound, inspirations, and future plans.<\/p>\n","protected":false},"author":69,"featured_media":66383,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"Dr K sits down for a chat with Chicago's Varaha","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[478,12],"tags":[4244,2993,1190,4697,4889,6446,10381,246,4692],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/toiletovhell.com\/wp-content\/uploads\/2017\/05\/varaha3.jpg?fit=1500%2C1000&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/posts\/66374"}],"collection":[{"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/users\/69"}],"replies":[{"embeddable":true,"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/comments?post=66374"}],"version-history":[{"count":0,"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/posts\/66374\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/media\/66383"}],"wp:attachment":[{"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/media?parent=66374"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/categories?post=66374"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/tags?post=66374"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}