{"id":66795,"date":"2017-06-02T09:00:23","date_gmt":"2017-06-02T14:00:23","guid":{"rendered":"http:\/\/www.toiletovhell.com\/?p=66795"},"modified":"2017-06-02T08:18:21","modified_gmt":"2017-06-02T13:18:21","slug":"toilet-talks-art-politics-and-metal","status":"publish","type":"post","link":"https:\/\/toiletovhell.com\/toilet-talks-art-politics-and-metal\/","title":{"rendered":"Toilet Talks: Art, Politics, and Metal"},"content":{"rendered":"
<\/div>\n

Welcome to the debut Toilet Talks, where a handful of editors have a few beers and talk about metal.<\/p>\n

<\/p>\n

The theme for this first one was pretty loose, but I had a few questions relating to “Themes in Metal” that needed answering. The discussion has been lightly (heavily) edited for coherence.<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
joaquin<\/td>\nSoon after the election, people were saying \u201cwell at least we should get some good metal out of this\u201d, which is a dumb thing to say, but generally art and the way we perceive it changes with the political climate. It has been a few months now, what has changed?<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nIf abject poverty and human misery resulted in great art, most of the world would be pumping out \u00a0[fire emoji] metal constantly.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nI have noticed that some of the more well-spoken lyricists in metal, like Doug Moore, have become more vocal on social media. Bands like Pyrrhon<\/strong><\/a>\u00a0seem to be pursuing a line of more socially conscious lyricism in metal that transcends the silly escapism we tend to hear typically. That obviously isn’t universally true.<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nI think some folks that would prefer to just ignore politics are realizing that they’re going to have to confront what’s happening.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nJoe, what do you think of the argument that we’ve both seen that metal is supposed to be escapism?<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nUhh. I suppose there’s always going to be a segment of metal that IS pure escapism. Lots of dudes love their Lord of the Rings LARP metal.<\/td>\n<\/tr>\n
hessianhunter<\/td>\nMetal isn’t \u201csupposed” to be anything. No art is “supposed” to be anything except what the artist wants it to be. If you like your metal to be escapism, lucky for you there is a whole lot of that. If a band uses their platform to talk about real-world politics, that’s their artistic choice and it’s nonsensical to be upset at them for it. Roll your eyes all you want at “mixing music with politics”, but know you are also effectively rolling your eyes at Black Sabbath<\/strong> for writing \u201cWar Pigs<\/a>\u201d after putting out an album of pure fantasy nightmare fuel.<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nWho wrote the lyrics to \u201cWar Pigs” I just can’t imagine Ozzy<\/strong> putting together a coherent sentence, much less an allegorical song.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nI think it was supposed to be Walpurgis originally.<\/td>\n<\/tr>\n
dr_dubs<\/td>\n\u201cThe original title of “War Pigs” was “Walpurgis”, dealing with the witches’ sabbath. “Walpurgis is sort of like Christmas for Satanists. And to me, war was the big Satan”, said bassist and lyricist Geezer Butler. “It wasn\u2019t about politics or government or anything. It was [about] evil. So I was saying ‘generals gathered in the masses \/ just like witches at black masses’ to make an analogy. But when we brought it to the record company, they thought ‘Walpurgis’ sounded too Satanic. And that’s when we turned it into ‘War Pigs’. But we didn’t change the lyrics, because they were already finished.”<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nWell shit. There goes our argument for everything forever.<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nThanks a lot, Geezer.<\/td>\n<\/tr>\n
dr_dubs<\/td>\n\u201cIt sounded cool.” – Metal lyricists, a lot of the time.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nDo you think those people are doing a disservice to the art\/genre?<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nI think they’re doing a disservice to everyone by recycling the same fucking book for 40 years. Read a new book, dummies.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nlol<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nBut not necessarily – in response to your question. Escapism, by itself, isn’t necessarily bad. We all need an escape from time to time. There are limits, of course. See: \u201cGamers\u201d.<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nBut if you wanna create music with your own message, you have to confront the real world in one way or another.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nRight. I think the election is radicalizing folks on both sides. For every Danzig<\/strong> supporting the travel ban<\/a>, you have a Nux Vomica<\/strong><\/a> donating proceeds to Planned Parenthood.<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nI wish that folks would be radicalized further left than the current #resistance crop of liberals BUT I DIGRESS. You’re right. Seems like people are doubling down.<\/td>\n<\/tr>\n
hessianhunter<\/td>\nI kept hearing that about punk, not metal at all. But at least in my neck of the woods there has been an ENORMOUS uptick in artists being blatantly political not just in their subject matter, but in their operation. Among my musician peers, local shows are now benefit shows as a standard, whereas that used to be an occasional thing.<\/td>\n<\/tr>\n
joaquin<\/td>\nWe are still pretty early in a typical album cycle in relation to the election. I assume there will be lots more to come in the next few months.\u00a0 As HH mentioned, it seems like the benefit shows are proof more is coming.<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nSo where does that leave us? Dudes like Doug Moore are learned and articulate. Punk holds it down, as always. YG<\/strong> put out my favorite rap track in 5 years with \u201cFuck Donald Trump<\/a>\u201d.<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nBut there’s a big chasm with the rest of metal.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nJoe, to that chasm thing, I think that just segues back to what HH said. I think folks are attracted to the art for different reasons, so you’re always going to have different creators bringing in their own ideas and aspirations. Some want to play metal because they love the larger than life aspect; some because they like the angery nature of the music; others because they want to play something technical. As long as there’s a fanbase for it, you’ll still have NSBM alongside anarcho-grind, I reckon.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nAnd I think, to a degree, the heterogeneity is necessary.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nOr at least good, I mean. I’d be pissed if there was only stoner metal.<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nWe need metal to embrace collective action and unity. Which might be a bit antithetical to its roots.<\/td>\n<\/tr>\n
hessianhunter<\/td>\nThere are a handful of politically informed and thoughtful people with a large platform due to their metal bands, but I really don’t trust musicians to lead meaningful political movements. Within their artistic role, they’re good for fundraising and propaganda and not much else imo.<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nFollow up question: WHO DRANKIN?<\/td>\n<\/tr>\n
dr_dubs<\/td>\nI had my last beer earlier while packing. I’m not done packing, so I guess I need more beer.<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nI don’t like to victim blame, but it’s your fault for allowing your supply to dwindle so low.<\/td>\n<\/tr>\n
hessianhunter<\/td>\nMy coworkers have me hooked on Twisted Tea, the trashiest alcoholic drink this side of wine spritzers.<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nUh. \u00a0Isn’t that like a Mike’s Hard Lemonade?<\/td>\n<\/tr>\n
joaquin<\/td>\nI had a Founders KBS, ~12% abv, right before this. Not the best idea. Alright, let me dig up the next question as we have a very unwelcome guest.<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nGoddammit no, not Randall<\/td>\n<\/tr>\n
therandallthor<\/td>\ntherandallthor has joined the channel<\/em><\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nFUCK<\/td>\n<\/tr>\n
therandallthor<\/td>\nYou will never rid yourself of me.<\/td>\n<\/tr>\n
therandallthor<\/td>\nI’m 3 beers deep.<\/td>\n<\/tr>\n
therandallthor<\/td>\nAnd I’m with HH on this, art is supposed to be what the artist wants it to be. I like my LOTR escapist LARP metal, some people like a bearded guy with a loud guitar through orange amps screaming about real life problems.<\/td>\n<\/tr>\n
therandallthor<\/td>\nI think they’re wrong, obviously, but people think I’m a child for worshiping Tolkien. Taste is subjective.<\/td>\n<\/tr>\n
hessianhunter<\/td>\nTaste is subjective except for the part where Randall likes things, in which case they are wrong and bad.<\/td>\n<\/tr>\n
hessianhunter<\/td>\nObjectively.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nRandall, I guess that’s kind of the weird thing about having such a variety of stuff under the metal umbrella.<\/td>\n<\/tr>\n
therandallthor<\/td>\nIt’s a blessing and a curse! On the one hand, there is endless nerd bait power metal out there for me. On the other hand, there are THOUSANDS of albums released every year. After years of trying, I’ve found it to be totally futile to try to keep a grasp on everything that’s coming out.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nI feel like you have to at least try to be a qualified critic, but burnout is real. I’m just so tired of generic bands.<\/td>\n<\/tr>\n
joaquin<\/td>\nNext question! Without getting bogged down in extreme views (we talk about how we will or won\u2019t tolerate that a lot) could you see yourself getting down with a band with an opposing viewpoint that is a little more tame? Like if bank-deregulation deathcore was a thing?<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nUh. Maybe. I’d probably buy a bank deregulation core t-shirt and just not listen to the music<\/td>\n<\/tr>\n
dr_dubs<\/td>\nI don’t think most artists’ personal moral codes align perfectly with my own, so I think, with all aspects of consumption, it’s just a matter of doing the best you can and trying to support what matters to you while ignoring things that aren’t dealbreakers.<\/td>\n<\/tr>\n
hessianhunter<\/td>\nEveryone is problematic, where you draw a line of choosing to not support someone is totally arbitrary. I’ll never wear a Burzum<\/strong> shirt because it’s more important to me that people don’t mistake my Scandinavian ass for a white nationalist than to have people know I like \u201ccool edgy shit” but then again I’ll rock Bad Brains<\/strong> merch even though that band was full of antisemitic homophobes.<\/td>\n<\/tr>\n
therandallthor<\/td>\nI mean, I like Iced Earth<\/strong> and I’m pretty sure Jon Schaffer believes some whacko stuff. Two bandmates are crazy libertarians. As long as their beliefs aren’t antagonistic or toxic, I’m not concerned about them personally.<\/td>\n<\/tr>\n
therandallthor<\/td>\nTrying to avoid listening to BM bands with toxic members has been an absolute nightmare to keep track of for me.<\/td>\n<\/tr>\n
joaquin<\/td>\nShifting away from the political, metal seems to compulsively stick to fiction to convey meaning. Why are we so afraid of our feelings?<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nFeelings are dumb.<\/td>\n<\/tr>\n
therandallthor<\/td>\n^<\/td>\n<\/tr>\n
dr_dubs<\/td>\nA recent counterpoint was that Bereft<\/strong> album<\/a>, Joaquin.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nThat album’s feelings made it heavy!<\/td>\n<\/tr>\n
joaquin<\/td>\nBereft got all my feelings tingling.<\/td>\n<\/tr>\n
therandallthor<\/td>\nIdk if yall jam Mount Eerie<\/strong>, but his latest is one of the most raw, open and emotional albums I’ve ever listened to. A Crow Looked at Me<\/em><\/a>.<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nYeah, I’ve heard lots of people say that it’s a very emotionally difficult record. And to that I say, \u201cWhy in the fuck would I want to go through that?\u201d<\/td>\n<\/tr>\n
therandallthor<\/td>\nI actually enjoy really depressing albums like this, I can’t tell you why though. It just feels good to be cripplingly sad through someone else. I connect with it I guess?<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nLife is hard, man. I’m not trying to fuck around and ruin my day by listening to someone’s record about the saddest shit in the world.<\/td>\n<\/tr>\n
therandallthor<\/td>\nIt’s hard to put into words for me. It’s a really melancholy feeling that somehow has a positive effect on me.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nActually, that does raise an interesting point. I think most of us have struggled with depression\/anxiety at some point. I tend to resonate more with more melancholy music when I’m in a down period. I guess seeking commonality?<\/td>\n<\/tr>\n
therandallthor<\/td>\nLike someone else went through a life ruining time, but they were strong enough to pull through it and share their message with us. That’s incredibly uplifting and powerful to me.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nBut maybe metal artists just aren’t good at expressing those feelings well? Hell, Jonathan Davis has been trying to figure it out for almost 30 years now.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nSidenote: Korn<\/strong> is the worst band.<\/td>\n<\/tr>\n
therandallthor<\/td>\nGiant Squid<\/strong>\u2019s debut album has been one of my \u201cI’m sad but need something to lift my spirits even though the music is kind of sad too” for about 5 years now.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nMetridium Fields<\/em><\/a>?<\/td>\n<\/tr>\n
therandallthor<\/td>\nYes. It means a ton to me.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nSo good, dude.<\/td>\n<\/tr>\n
therandallthor<\/td>\nI can only escape to fantasy worlds for so long before I need to crash into depressing reality again.<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nThe only valid emotions are minor frustration and extreme rage.<\/td>\n<\/tr>\n
hessianhunter<\/td>\nI think theatrical art trends toward caricature of emotion rather than genuine expression, and I would argue most metal is pretty theatrical, and not just goofy power metal with synth solos. I mean, why are you yelling like that? You’re sure going through a lot of work to make your drum triggers sound like you can play 1 million bpm at the same volume you would play at 100.<\/td>\n<\/tr>\n
therandallthor<\/td>\nPeople who like metal and maintain that power metal is \u201ctoo cheesy” baffle me.<\/td>\n<\/tr>\n
joaquin<\/td>\nI think everyone disagrees.<\/td>\n<\/tr>\n
richter<\/td>\nrichter has joined the channel<\/em><\/td>\n<\/tr>\n
richter<\/td>\nHOW DOES THIS WORK<\/td>\n<\/tr>\n
therandallthor<\/td>\nType stuff. Hit enter.<\/td>\n<\/tr>\n
joaquin<\/td>\nAlright, well now that the armless one has joined, let’s get into my last question. What themes are you tired of seeing? Personally, I\u2019ve seen far too many promos that use some obscure and very specific psychological concept like \u201ceach track represents a lobe of the brain as described by Freud\u2019s theory of liking your mom too much.\u201d<\/td>\n<\/tr>\n
hessianhunter<\/td>\nVarious forms of psychosis have been done to death. Serial killers, comas, whatever.<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nRockin’ and\/or weed.<\/td>\n<\/tr>\n
joaquin<\/td>\nDON’T HATE ON MY STONER DOOM.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nLovecraft. We are past peak Cthulhu<\/a>.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nThese nerds need to start reading Algernon Blackwood or something.<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\n\u201cUHHHH I’M H.P. LOVECRAFT, LET ME TELL YOU HORRIFIC TALE OF THE TIME I LEFT MY HOUSE AND SAW A TURK\u201d<\/td>\n<\/tr>\n
hessianhunter<\/td>\nIt’s a trend that mostly died in the 80s but boy oh boy do I hate thrash songs about thrashing.<\/td>\n<\/tr>\n
richter<\/td>\nSubconscious dissolution into the transcendence of the singular void inside the emptiness of your infinitely central oneness with the nothingness of … uh … albacore tuna.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nVoid.<\/td>\n<\/tr>\n
therandallthor<\/td>\nDefinitely \u201cthe void”.<\/td>\n<\/tr>\n
therandallthor<\/td>\nIt’s the current Satan.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nWe need a ten year ban on \u201cthe void”.<\/td>\n<\/tr>\n
therandallthor<\/td>\nI cringe horribly every time someone says anything about the void and grasps invisible oranges at me.<\/td>\n<\/tr>\n
therandallthor<\/td>\nPower metal bands also need to quit writing their own fantasy storylines.<\/td>\n<\/tr>\n
therandallthor<\/td>\nRhapsody<\/strong> even quit doing that. And Rhapsody INVENTED doing that.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nYou think existence is pain? Try figuring out health insurance.<\/td>\n<\/tr>\n
hessianhunter<\/td>\nWHY AREN’T MORE BANDS MAKING SONGS CYCLES ABOUT MAGIC THE GATHERING?<\/td>\n<\/tr>\n
dr_dubs<\/td>\nHH, you need to activate your trap card to get more of them to do so. (That’s Magic, right?).<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nThis next song is about my gold foil Charizard.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nIs there a Beyblade themed album?<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nY’know what FUCK THAT. Write more songs about baseball cards.<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nJose Canseco deserves his own fantasy epic.<\/td>\n<\/tr>\n
joaquin<\/td>\nAlright, this thing is getting\u2019 long. Time to call it. Any last words?<\/td>\n<\/tr>\n
therandallthor<\/td>\nMy cat has been meowing a lot lately.<\/td>\n<\/tr>\n
hessianhunter<\/td>\nLiterally 10 feet above my head a Robocop themed punk band is rehearsing and they are probably my favorite new punk band since White Lung<\/strong>.<\/td>\n<\/tr>\n
joe_thrashnkill<\/td>\nListen to the podcast, you fucks.<\/td>\n<\/tr>\n
dr_dubs<\/td>\nRandall has a fidget spinner.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Welcome to the debut Toilet Talks, where a handful of editors have a few beers and talk about metal.<\/p>\n","protected":false},"author":28,"featured_media":66826,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"In this new feature, Toilet writers slack chat about pressing metal matters. We definitely didn't steal this idea from FiveThirtyEight.","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[724],"tags":[1862,6582,43,1251,1005,2141,1746,1907,10439,824,2182,507,1468,1736,10438],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/toiletovhell.com\/wp-content\/uploads\/2017\/05\/Toilet-Chat-May-29.jpg?fit=710%2C375&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/posts\/66795"}],"collection":[{"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/users\/28"}],"replies":[{"embeddable":true,"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/comments?post=66795"}],"version-history":[{"count":0,"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/posts\/66795\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/media\/66826"}],"wp:attachment":[{"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/media?parent=66795"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/categories?post=66795"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/tags?post=66795"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}