{"id":67060,"date":"2017-06-08T13:00:24","date_gmt":"2017-06-08T18:00:24","guid":{"rendered":"http:\/\/www.toiletovhell.com\/?p=67060"},"modified":"2017-06-08T07:37:18","modified_gmt":"2017-06-08T12:37:18","slug":"premiere-lor-eidolon","status":"publish","type":"post","link":"https:\/\/toiletovhell.com\/premiere-lor-eidolon\/","title":{"rendered":"Premiere: L\u00f6r – “Eidolon”"},"content":{"rendered":"
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Are you a fan of progressive power \/ folk\/ true \/ black \/ melodic death \/ like every genre ever \/ metal? If you answered yes to any of those, L\u00f6r has something for you.<\/p>\n

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Writing about this track is hard, because unlike some generic 12 minute stoner track, more than 2 riffs happen. In fact, a TON of things happen. The first comparable pieces of music I come up with are pieces like Schubert’s Death and The Maiden first movement<\/a>\u00a0or Max Reger’s Oh Tod, Wie Bitter Bist Du<\/a>, the latter of which is easily my favorite choral piece.\u00a0What I’m trying to say is that this song is DENSE.<\/p>\n

I originally wanted to split the discussion into two halves, but then I realized the first half could be split into two halves, then realized you could split the first half into three parts, and then I just doubted myself and resigned to start writing because I will continue to subdivide this track until I’m describing literally every single riff in excruciating detail in order to adequately cover this. As much as I would love to stay up until 5 am and skip work and listen to this track 50 more times (it’s still not even close to getting old yet,) very few of you would stick around to read a fat nerd like me describe in painstaking detail every single riff, every time a theme from earlier in the song returns in a cleverly disguised way that rewards attentive listeners, or every single emotion this song journeys through. I won’t be happy if I don’t feel I haven’t adequately covered the track, so I’ll do my very best to keep my description as simultaneously brief and thorough as possible.<\/p>\n