{"id":71166,"date":"2017-09-25T11:00:07","date_gmt":"2017-09-25T16:00:07","guid":{"rendered":"http:\/\/www.toiletovhell.com\/?p=71166"},"modified":"2017-09-25T08:30:11","modified_gmt":"2017-09-25T13:30:11","slug":"review-monarch-never-forever","status":"publish","type":"post","link":"https:\/\/toiletovhell.com\/review-monarch-never-forever\/","title":{"rendered":"Review: MONARCH — Never Forever<\/i>"},"content":{"rendered":"
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Monarchs<\/strong>‘s new record will cause abrasions and then salve them for you.<\/p>\n

When the first taste of Never Forever<\/em> appeared online, in the form of “Song to the Void”, my initial thought was something like “Oh hey, a funeral doom band embracing slowcore. Nice.”\u00a0Not the most accurate thought I’ve ever had, but it’s not all my fault: “Song to the Void” is a misleading introduction to the new directions Monarch explores on Never Forever<\/em>. It is soft and supple, with wispy vocals and gently crumbling distortion and a simple, ritualistic thud of a drum beat. It’s the kind of tune you might hum to yourself while sitting at the end of a dock with your feet in the water and a notebook of half-written poems in your lap. Not the first thing you’d expect from an amp-worshipping funeral doom act. Based on this single alone, one could be forgiven for assuming that Monarch had ditched metal for some droning angle on dream pop.<\/p>\n