{"id":81380,"date":"2018-06-21T15:00:17","date_gmt":"2018-06-21T20:00:17","guid":{"rendered":"http:\/\/www.toiletovhell.com\/?p=81380"},"modified":"2018-06-21T18:32:27","modified_gmt":"2018-06-21T23:32:27","slug":"best-band-in-the-world-2010s","status":"publish","type":"post","link":"https:\/\/toiletovhell.com\/best-band-in-the-world-2010s\/","title":{"rendered":"The Best Band in the World: The 2010s"},"content":{"rendered":"<div id=\"fb-root\"><\/div>\n<p><em>In this very special guest feature Nate Garrett (Spirit Adrift, Gatecreeper) is taking you on a year-by-year journey through the greatest live performances of each year over the last four decades. We\u2019re continuing our trip with the decade in which you currently live, the 2010s. Take it away, Nate. <\/em><\/p>\n<p><!--more--><\/p>\n<p>Welcome the the \u201910\u2019s. Is that right? I don\u2019t really know what to call the decade we\u2019re living in currently. The teens? Whatever. Now is the moment this piece, which is nothing more than an opinion piece anyway, becomes REALLY opinionated. I\u2019ve seen a lot of great bands and come to know a lot of extraordinary musicians these last eight or nine years, and it\u2019s all still fresh in my mind. So here we go. The most subjective, personally biased entry, in a highly subjective, personally biased series. Look elsewhere for journalistic integrity!<\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong>2010<\/strong><\/p>\n<h4 style=\"text-align: center;\"><strong>Tom Petty &amp; The Heartbreakers<\/strong><\/h4>\n<p>These guys are the glaring standout here, the only old-guard band that makes the list this decade. I\u2019m comfortable declaring Tom Petty and the Heartbreakers the best band in the world for any year they were active, but I chose 2010 because of the personal bias I warned you about in the intro. That was the year I saw them. I can tell you beyond any reasonable doubt there was not a better band playing music that year. In fact, 1980\u2019s title holder ZZ Top opened the show, and they paled in comparison. ZZ Top is one of my favorite live bands, but they got blown off the stage that night when Petty went on. For a long time, I forgot they even opened. That\u2019s not a knock on ZZ Top at all, that\u2019s just how good The Heartbreakers were. I tried to find some footage from that tour where the crowd isn\u2019t overpowering the band, and there\u2019s none out there. When I saw him, it was the most people I\u2019ve ever heard singing at one time, and from the looks of it, the entire tour was the same way. That is a testament in and of itself to the uplifting, unifying force that is Tom Petty.<\/p>\n<p><iframe loading=\"lazy\"  style=\"display: block; margin: 0px auto;\"  id=\"_ytid_90102\"  width=\"320\" height=\"240\"  data-origwidth=\"320\" data-origheight=\"240\" src=\"https:\/\/www.youtube.com\/embed\/4UOY73mpr6U?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;modestbranding=0&#038;rel=1&#038;fs=1&#038;playsinline=1&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><strong>2011<\/strong><\/p>\n<h4 style=\"text-align: center;\"><strong>Kvelertak<\/strong><\/h4>\n<p>Like Annihilation Time before them, Kvelertak found a new and exciting way to write music inspired by classic hard rock and metal from the glory years, and inject it with the attitude of hardcore. To make matters even more interesting, the band incorporated elements of their home country\u2019s native black metal bands, and dare I say, even some Turbonegro influence. Their eponymous debut was the freshest and most exciting record of 2010, and by 2011 the band was picking up some serious steam, hitting festival circuits and touring all over the world. I was lucky enough to see them that year and it was stunning. Here they are at SXSW.<\/p>\n<p><iframe loading=\"lazy\"  style=\"display: block; margin: 0px auto;\"  id=\"_ytid_73370\"  width=\"320\" height=\"240\"  data-origwidth=\"320\" data-origheight=\"240\" src=\"https:\/\/www.youtube.com\/embed\/hxDwdCwZl54?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;modestbranding=0&#038;rel=1&#038;fs=1&#038;playsinline=1&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n<h4 style=\"text-align: center;\"><strong>2012<\/strong><\/h4>\n<h4 style=\"text-align: center;\"><strong>Torche<\/strong><\/h4>\n<p>Harmonicraft is my favorite Torche album, and that\u2019s saying something. I think they\u2019re all great, but on Harmonicraft the songwriting was especially refined, nailing a pinpoint balance between catchy and heavy. Oh and their GUITAR HARMONIES were at their most majestic, and y\u2019all know by now how I feel about guitar harmonies. Call it turbo pop, bubblegum sludge, or anything else you want. Bottom line, Torche is a magnificent band, and 2012 was a great year for them. Check out the onslaught at the break, and be amazed at the Ramones-style lack of pauses between tracks.<\/p>\n<p><iframe loading=\"lazy\"  style=\"display: block; margin: 0px auto;\"  id=\"_ytid_57913\"  width=\"320\" height=\"240\"  data-origwidth=\"320\" data-origheight=\"240\" src=\"https:\/\/www.youtube.com\/embed\/8GLzrLxuB4E?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;modestbranding=0&#038;rel=1&#038;fs=1&#038;playsinline=1&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><strong>2013<\/strong><\/p>\n<h4 style=\"text-align: center;\"><strong>Pinkish Black<\/strong><\/h4>\n<p>Vocalist\/synth player Daron Beck and drummer Jon Teague have created something in Pinkish Black that is one of a kind, compelling, and heavy in a totally standalone way. Beck sings haunting vocal lines over swirling, hallucinatory soundscapes. Steadily driving through this madness, Teague hammers with the immeasurably heavy foot of Bonham and the unpredictable explosiveness of Ward. It\u2019s difficult to describe the unseen energy that makes them so transcendental in the live setting, so I\u2019ll just share an anecdote. I saw them with Goblin around this time, and not too long after they started playing I got so dizzy I had to sit down. I talked to other people there and I wasn\u2019t the only one affected in this way. Pinkish Black were so psychotic sounding and bizarrely heavy I had to sit the fuck down. Go see them live any chance you get. Here they are at Southwest Terror Fest (RIP).<\/p>\n<p><iframe loading=\"lazy\"  style=\"display: block; margin: 0px auto;\"  id=\"_ytid_19270\"  width=\"320\" height=\"240\"  data-origwidth=\"320\" data-origheight=\"240\" src=\"https:\/\/www.youtube.com\/embed\/P34bd6_ZXhc?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;modestbranding=0&#038;rel=1&#038;fs=1&#038;playsinline=1&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><strong>2014<\/strong><\/p>\n<h4 style=\"text-align: center;\"><strong>YOB<\/strong><\/h4>\n<p>Anyone who witnessed YOB performing in 2014, especially the song \u201cMarrow,\u201d requires zero explanation for this entry. If you weren\u2019t lucky enough to see it in person, check it out at the link. The whole show is phenomenal, but if you\u2019re lazy, the song in question begins at about the 55 minute mark.<\/p>\n<p><iframe loading=\"lazy\"  style=\"display: block; margin: 0px auto;\"  id=\"_ytid_17394\"  width=\"320\" height=\"240\"  data-origwidth=\"320\" data-origheight=\"240\" src=\"https:\/\/www.youtube.com\/embed\/NX30LAM8Zl0?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;modestbranding=0&#038;rel=1&#038;fs=1&#038;playsinline=1&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><strong>2015<\/strong><\/p>\n<h4 style=\"text-align: center;\"><strong>Black Breath<\/strong><\/h4>\n<p>Hot take(s): Slaves Beyond Death was the best album of 2015, and Black Breath was the best band of 2015. Though they started off with plenty of hardcore overlap, by this time they were a no-frills, pissed off, vicious death metal band. This is probably due in part to the fact that Jamie Byrum, the band\u2019s drummer and driving force, was hit by a car in 2014. Instead of letting that deter him, he seems to have channeled his torment and anger into the band\u2019s music, resulting in their best album and most astounding live performances by the next year. Again, we return to the theme that is so prevalent throughout this piece. Bad life experiences can result in great art.<\/p>\n<p><iframe loading=\"lazy\"  style=\"display: block; margin: 0px auto;\"  id=\"_ytid_91017\"  width=\"320\" height=\"240\"  data-origwidth=\"320\" data-origheight=\"240\" src=\"https:\/\/www.youtube.com\/embed\/XGwDc37bvVg?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;modestbranding=0&#038;rel=1&#038;fs=1&#038;playsinline=1&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><strong>2016<\/strong><\/p>\n<h4 style=\"text-align: center;\"><strong>Vastum<\/strong><\/h4>\n<p>These days, nobody does romper-stomper, old-school, disgusting death metal better than Vastum. Their excellent Hole Below LP was released in 2016, and their live performances reflected the album\u2019s raw savagery. Plus, new guy Shelby Lermo finally had the riffs memorized after being in the band for three years. Behold the might of Vastum at the link.<\/p>\n<p><iframe loading=\"lazy\"  style=\"display: block; margin: 0px auto;\"  id=\"_ytid_85987\"  width=\"320\" height=\"240\"  data-origwidth=\"320\" data-origheight=\"240\" src=\"https:\/\/www.youtube.com\/embed\/3hHtPQsKekk?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;modestbranding=0&#038;rel=1&#038;fs=1&#038;playsinline=1&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><strong>2017<\/strong><\/p>\n<h4 style=\"text-align: center;\"><strong>Inter Arma<\/strong><\/h4>\n<p>I watched Inter Arma many, many times in 2017. It\u2019s no secret this is one of my favorite bands from any era of music. Inter Arma take risks, play off of each other and the vibe in the room, and are never predictable. They encapsulate that which has made rock and roll such a beautiful thing since the very beginning, and they use this fearlessness to break new ground artistically.<\/p>\n<p><iframe loading=\"lazy\"  style=\"display: block; margin: 0px auto;\"  id=\"_ytid_83497\"  width=\"320\" height=\"240\"  data-origwidth=\"320\" data-origheight=\"240\" src=\"https:\/\/www.youtube.com\/embed\/Owl15r95GS8?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;modestbranding=0&#038;rel=1&#038;fs=1&#038;playsinline=1&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n<p style=\"text-align: center;\"><strong>2018<\/strong><\/p>\n<h4 style=\"text-align: center;\"><strong>Pallbearer<\/strong><\/h4>\n<p>Pallbearer continue to improve. It\u2019s like that scene in Office Space when the actor whose name you can never remember says his life gets worse every day, so if you see him on any given day, that\u2019s the worst day of his life. Reverse that, and apply it to quality of music instead of quality of life. That is what\u2019s going on with Pallbearer. The chemistry between these four guys only gets stronger with each passing moment, and the experience they\u2019re racking up outweighs that of most bands who have been around for twice as long. The year is not quite over, but I can pretty much guarantee Pallbearer are the best band of 2018. Here they are stealing the show with their newest song \u201cDropout,\u201d at the Decibel Metal &amp; Beer Fest earlier this year.<\/p>\n<p><iframe loading=\"lazy\"  style=\"display: block; margin: 0px auto;\"  id=\"_ytid_66675\"  width=\"320\" height=\"240\"  data-origwidth=\"320\" data-origheight=\"240\" src=\"https:\/\/www.youtube.com\/embed\/uyncHju5NIA?enablejsapi=1&#038;autoplay=0&#038;cc_load_policy=0&#038;cc_lang_pref=&#038;iv_load_policy=1&#038;loop=0&#038;modestbranding=0&#038;rel=1&#038;fs=1&#038;playsinline=1&#038;autohide=2&#038;theme=dark&#038;color=red&#038;controls=1&#038;\" class=\"__youtube_prefs__  epyt-is-override  no-lazyload\" title=\"YouTube player\"  allow=\"fullscreen; accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen data-no-lazy=\"1\" data-skipgform_ajax_framebjll=\"\"><\/iframe><\/p>\n<p>So there you have it. My hopelessly bias-driven attempt to trace the riff in its purest and most potent form, from 1970 until present day. I\u2019m touring off and on for pretty much the rest of the year, so feel free to yell at me about how wrong I am if you see me in person.<\/p>\n<p><em>Check out some of Nate\u2019s upcoming tour dates with Spirit Adrift. He is surely, positively coming to a venue near you.<\/em><\/p>\n<p><strong>Spirit Adrift:<\/strong><br \/>\n<span class=\"aBn\" tabindex=\"0\" data-term=\"goog_192777854\"><span class=\"aQJ\">June 29<\/span><\/span> \u2013 Denver, CO @ Electric Funeral Fest<br \/>\nJuly 25 Blueberry Hill Duck Room \u2013 Saint Louis, MO<br \/>\nJuly 26 Indiana City Brewing Company \u2013 Indianapolis, IN<br \/>\nJuly 27 Ace Of Cups \u2013 Columbus, OH<br \/>\nJuly 28 Mr. Smalls Theatre \u2013 Pittsburgh, PA @ Migration Fest<br \/>\nJuly 29 Metro Gallery \u2013 Baltimore, MD<br \/>\nJuly 30 Kung Fu Necktie \u2013 Philadelphia, PA<br \/>\nJuly 31 Union Pool \u2013 New York, NY<br \/>\nAugust 2 Great Scott \u2013 Boston, MA<br \/>\nAugust 3 3S Artspace \u2013 Portsmouth, NH<br \/>\nAugust 4 Bar Le Ritz \u2013 Montr\u00e9al, QC<br \/>\nAugust 6 House Of Targ \u2013 Ottawa, ON<br \/>\nAugust 7 Hard Luck \u2013 Toronto, ON<br \/>\nAugust 8 Lager House \u2013 Detroit, MI<br \/>\nAugust 9 Empty Bottle \u2013 Chicago, IL<br \/>\nAugust 11 Lee\u2019s Liquor Lounge \u2013 Minneapolis, MN<br \/>\nAugust 12 Riot Room \u2013 Kansas City, MO<br \/>\nAugust 15 Urban Lounge \u2013 Salt Lake City, UT<br \/>\nAugust 18 Psycho Las Vegas \u2013 Las Vegas, NV<br \/>\nAugust 21 Brick By Brick \u2013 San Diego, CA<\/p>\n<p>Check out the previous editions of this series here:<\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"iCTkxf6S3s\"><p><a href=\"https:\/\/toiletovhell.com\/the-best-band-in-the-world-the-1970s\/\">The Best Band in the World: The 1970&#8217;s<\/a><\/p><\/blockquote>\n<p><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/toiletovhell.com\/the-best-band-in-the-world-the-1970s\/embed\/#?secret=iCTkxf6S3s\" data-secret=\"iCTkxf6S3s\" width=\"600\" height=\"338\" title=\"&#8220;The Best Band in the World: The 1970&#8217;s&#8221; &#8212; The Toilet Ov Hell\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"yuhKqbXpeN\"><p><a href=\"https:\/\/toiletovhell.com\/the-best-band-in-the-world-the-1980s\/\">The Best Band in the World: The 1980s<\/a><\/p><\/blockquote>\n<p><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/toiletovhell.com\/the-best-band-in-the-world-the-1980s\/embed\/#?secret=yuhKqbXpeN\" data-secret=\"yuhKqbXpeN\" width=\"600\" height=\"338\" title=\"&#8220;The Best Band in the World: The 1980s&#8221; &#8212; The Toilet Ov Hell\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"CToXMXN82J\"><p><a href=\"https:\/\/toiletovhell.com\/best-band-in-the-world-the-1990s\/\">The Best Band in the World: The 1990s<\/a><\/p><\/blockquote>\n<p><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/toiletovhell.com\/best-band-in-the-world-the-1990s\/embed\/#?secret=CToXMXN82J\" data-secret=\"CToXMXN82J\" width=\"600\" height=\"338\" title=\"&#8220;The Best Band in the World: The 1990s&#8221; &#8212; The Toilet Ov Hell\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<blockquote class=\"wp-embedded-content\" data-secret=\"je583olhfQ\"><p><a href=\"https:\/\/toiletovhell.com\/the-best-band-in-the-world-the-2000s\/\">The Best Band in the World: The 2000s<\/a><\/p><\/blockquote>\n<p><iframe class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" src=\"https:\/\/toiletovhell.com\/the-best-band-in-the-world-the-2000s\/embed\/#?secret=je583olhfQ\" data-secret=\"je583olhfQ\" width=\"600\" height=\"338\" title=\"&#8220;The Best Band in the World: The 2000s&#8221; &#8212; The Toilet Ov Hell\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe><\/p>\n<p><a href=\"https:\/\/www.hillariejason.com\/LiveShows\/Yob-Black-Cobra\/\" target=\"_blank\" rel=\"noopener\">Photo credit: Hillarie Jason <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In this very special guest feature Nate Garrett (Spirit Adrift, Gatecreeper) is taking you on a year-by-year journey through the greatest live performances of each year over the last four decades. We\u2019re continuing our trip with the decade in which you currently live, the 2010s. Take it away, Nate.<\/p>\n","protected":false},"author":1,"featured_media":81381,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"In the thrilling conclusion, Nate Garrett (Spirit Adrift) takes us through the best bands of the last 8 years.","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[1310,12,403],"tags":[519,2073,1515,1197,8162,713,4057,6809,9821,2381,8382,716],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/toiletovhell.com\/wp-content\/uploads\/2018\/06\/Hillarie-JasonConcert-PhotographyHillarie-Jason-Concert-PhotographyHillarie-Jason-PhotographyBrighton-Music-HallAllstonYob-27-X2.jpg?fit=1280%2C720&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/posts\/81380"}],"collection":[{"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/comments?post=81380"}],"version-history":[{"count":0,"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/posts\/81380\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/media\/81381"}],"wp:attachment":[{"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/media?parent=81380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/categories?post=81380"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/toiletovhell.com\/wp-json\/wp\/v2\/tags?post=81380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}