{"id":96721,"date":"2019-11-05T11:00:05","date_gmt":"2019-11-05T17:00:05","guid":{"rendered":"https:\/\/toiletovhell.com\/?p=96721"},"modified":"2019-11-01T04:55:38","modified_gmt":"2019-11-01T09:55:38","slug":"review-sartegos-o-sangue-da-noite","status":"publish","type":"post","link":"https:\/\/toiletovhell.com\/review-sartegos-o-sangue-da-noite\/","title":{"rendered":"Review: Sartegos – O Sangue Da Noite<\/i>"},"content":{"rendered":"
<\/div>\n

Old mortuary spirits, new fog-covered pastures.<\/em><\/p>\n

<\/p>\n

The late 2000\u2019s and past the 2010\u2019s hearkened the return of old ideas in new forms for all of the major older metal genres whether it was doom, traditional, thrash, and most famously death metal. While black metal had been associated with a sizeable avant-garde component for some time, now joining it were those who wanted to explore the genre\u2019s lesser known hidden history from times before the Swedish and Norwegian giants could have tidied up and \u201ctamed\u201d its strange and feral past. The sound of the first wave and those who\u2019d continued the cryptic early root of the genre in the 90\u2019s emerged from its grave most notably in the forms of black\/thrash and war metal, but a number of bands never fell into those categories. Negative Plane<\/strong>, Doombringer<\/strong><\/a>, Obsequiae<\/strong><\/a>, Cultes<\/strong> des Ghoules<\/strong>, Funereal Presence<\/strong><\/a>, Inconcessus Lux Lucis<\/strong>, Predatory Light<\/strong><\/a>, and Vassafor<\/strong> among others managed to create something akin to an alternate history version of black metal that ran contrary to the Scandinavian narrative. In whatever parallel reality they came from, black metal never had the need to completely eschew its early 80\u2019s roots and much of the classic heavy, thrash, and doom metal that even death metal had eschewed. On that note, in many cases some of this style\u2019s practitioners could be said to even be partially death metal. While the grim ambience that\u2019s the hallmark of the genre still remained, it took on forms less frosty and more musty, lush, or grimy in a way that was less snow-peaked mountains and windswept Satanist-filled forests and closer to festering catacombs of cadaver-desecrating black magicks and labyrinthine swamps of rot and filth. Don\u2019t think of Norway and Sweden but rather locations such as Greece, Italy, Brazil, New Zealand, Australia, Poland, and Czechia.<\/p>\n