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Review: Melvins – Thunderball
It’s not controversial to say that Melvins, now 40 years deep, had been on a dull run of form for ... -
Review: The Lord Weird Slough Feg – Traveller Supplement I: The Ephemeral Glades
6 years removed from New Organon, over a decade removed from Digital Existence, and almost a quarter-century on from Traveller, ... -
Review: Full Of Hell and Andrew Nolan – Scraping The Divine
It’s wild that the announcement for Scraping The Divine went a bit under the radar for many, since it’s a ... -
Fit For An Autopsy – The Nothing That Is review
When it comes to their full-lengths, Fit For An Autopsy are, appropriately, a band of extremes; with their two best ... -
Review: Swallow The Sun – Shining
Swallow The Sun‘s continued relevance and popularity, while built on the back of classics in their early discography, was carried ... -
Review: The Jesus Lizard – Rack
When Blue, the last full-length from The Jesus Lizard, released in 1998 to little fanfare, it seemed an appropriately ugly ... -
Review: The Black Dahlia Murder – Servitude
When Trevor Strnad, frontman and founding member of The Black Dahlia Murder, passed in 2022 the future of the group ... -
Review: Nails – Every Bridge Burning
When You Will Never Be One Of Us ended with the apocalyptic “They Come Crawling Back,” the parting image of ... -
Are The Tony Martin Black Sabbath Albums Actually That Bad, Though?
The late 1980s saw Black Sabbath in a precarious position following the brisk turnover rate of vocalists and their rapidly ... -
Review: Uboa – Impossible Light
I often see Uboa described as cinematic, maybe due to how large-scale and ambitious the music of their breakout project ...
