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Review: Mclusky – the world is still here and so are we
The prospect of a Mclusky return was an odd one. Over two decades following the release of The Difference Between ... -
Review: Pelican – Flickering Resonance
With the return of former guitarist Laurent Lebec in 2022 (last seen featured on 2009’s What We All Come To ... -
Review: Vader – Humanihility
Vader have always thrived in short bursts of energy. The Art Of War EP from 2005 and the original Necrolust ... -
Review: Iron Lung – Adapting // Crawling
On Adapting // Crawling, Iron Lung‘s follow-up to their 2022 return EP Mental Distancing, you again see the band centering ... -
Review: Melvins – Thunderball
It’s not controversial to say that Melvins, now 40 years deep, had been on a dull run of form for ... -
Review: The Lord Weird Slough Feg – Traveller Supplement I: The Ephemeral Glades
6 years removed from New Organon, over a decade removed from Digital Existence, and almost a quarter-century on from Traveller, ... -
Review: Full Of Hell and Andrew Nolan – Scraping The Divine
It’s wild that the announcement for Scraping The Divine went a bit under the radar for many, since it’s a ... -
Fit For An Autopsy – The Nothing That Is review
When it comes to their full-lengths, Fit For An Autopsy are, appropriately, a band of extremes; with their two best ... -
Review: Swallow The Sun – Shining
Swallow The Sun‘s continued relevance and popularity, while built on the back of classics in their early discography, was carried ... -
Review: The Jesus Lizard – Rack
When Blue, the last full-length from The Jesus Lizard, released in 1998 to little fanfare, it seemed an appropriately ugly ...
