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Weltesser’s Debut Album Is a Crestfallen Take on Doom
It is the year 2099 2017, and doom is in the air. Also in our hearts, minds, and everywhere else. In ... -
Black Metal History: Grey Aura’s Waerachtighe beschryvinghe van drie seylagien, ter werelt noyt soo vreemd ...
No, this isn’t the billionth occurrence of a website discussing the history of black metal. You guys are probably good ... -
Review: The Drip– The Haunting Fear Of Inevitability
We’re just a few short weeks into 2017 and it didn’t take long for a standout album to surface. Richland, ... -
Mini-Reviews from Around the Bowl: 01/20/17
Ugh, Fridays. And Thursdays. And Wednesdays. And all the days. Today though, dive ear-first into Tragic Cause, Ekpyrosis, Ashenspire, Absent in Body, Exhausted Prayer, ... -
SRiHKAL 2016 – Short Releases I Have Known And Loved (Part Two)
Around this time last year I ran a four-part series highlighting some of my favourite short releases that I found ... -
Max Gorelick, son of Kenny G, takes up The Mantle
Get in here right now and listen to the finest instrumental shred record of 2017. -
Review: Viles Vitae — IV (Spoiler: It Rules)
It is time to place Iceland on notice: If Portugal ever gets its shit together it just might prove the ... -
Review: Gone Is Gone – Echolocation
I am absolutely pathetic when it comes to keeping track of new releases. I often browse through the Toilet’s numerous posts ... -
Review: Arriver – Emeritus
On December 2 of 2016, Arriver mysteriously dropped a surprise bomb on me with their album Emeritus. I had never heard ... -
Bells, Whistles & Blastbeats: A Review of Laster’s Ons Vrije Fatum
Is it just me or has 2017 already come out of the gates swinging? Isn’t January synonymous with down time? ...
