Traditions With No Certain End: Transcending Obscurity Label Sampler 2025
I hope in time you can learn to forgive me.
I set out to write 26-word responses to the 26 tracks comprising the 2025 Transcending Obscurity Label Sampler. I accomplished this goal. It has been such a pleasure and honour to premiere so many Transcending Obscurity tracks and albums, a pleasure and honour I hope is bestowed upon me in the new year. Take this as a pledge to the future. Consider this a lightly curated real-time diary of my experience with this table-setting, year-starting amuse bouche.
Floating – “I Reached The Mew”
These Uppsala upstarts mash gothic post-punk into proggy, off-kilter death metal. Think about Dream Unending meets Pøltergeist with random icy blasts from northern climes.
Byonoisegenerator – “Eb(D#)”
For sax-crazed Zornian jazzgrindfreaks only! Will we see a new album from the mad lad from Perm this year? Like their songs, it’s impossible to tell.
Veilburner – “That Which Crypts Howl Grandeur”
Perhaps a leftover from The Duality of Decapitation and Wisdom? I love how sepulchral and twisted everything gets around 4:13. And then its curtains at 4:39.
Serpent Corpse – “Iron Corpse”
We got all sorts of corpses down at the Corpse-R-Us! A burly, roid-raged crossover like if Iron Age played death metal. A whole heap of potential.
Dead Chasm – “Spectral Tyranny”
After two releases with FDA Records, these cavern-haunting Italians are joining Transcending Obscurity. A lean, quick burst of clinking death/doom in the vein of Dead Congregation.
Viande – “L’homme Brasier”
Playing an ugly, psychologically warped death metal à la labelmates Saevus Finis lets the band’s pulverizing guitar tone turn you into a mere piece of viande.
Thorn – “Quartersawn Remains”
Evergloom was a big hit around here in 2023. Whatever this one-man Phoenix band has planned for 2025 is molasses-thick with ear-tunneling riffs and sky-high expectations.
Retching – “Shower Curtain Sillhouette”
“Dilating Satan’s anus with our Virgin Steele speculums” fittingly (?) describes this no-bullshit, breakdown-laden death metal outta Rhode Island. The Ocean State has never been heavier.
Eschaton – “Blood of the People”
High-octane all-go-no-slow tech-death with some gurgling brutality and just a hint of deathcore for folks who are into that kind of thing. Really exciting, relentless track.
Unaligned – “Essence Erased”
These slimy South Florida freaks are stepping up to the Big Leagues. Charcoal-black streaks highlight an organic, fitful, bilious technicality that should have everyone dangerously stoked.
Fleshbore – “The Ancient Knowledge”
Another Archspire-inspired tech-death ripper from the rapidly approaching Painted Paradise. (Out on January 24th!) Word on the street is these dudes have leveled up somethin’ fierce.
Enragement – “Insectiferous Abomination”
Peaceful and calming like reading Finnish great Tove Jansson’s dreamy Sommarboken. Wait. No. This is battle-damaged, maniacal brutal death metal played with a frightening, fearless precision.
Haxprocess – “The Confines of the Flesh”
Naming yourselves after an Opeth song is certainly better than, say, Queef Huffer. This lengthy, rewarding track mixes ’80s thrash with far-ranging ’90s DM prog weirdness.
Xenosis – “Altar of the Hound”
A few seconds into “Altar of the Hound” and you’ll be oh-so-shocked to learn Spear has been all over this band for years. Raging tech-death madness.
Imperialist – “Starstorm”
Like a sci-fi Thulcandra that plays nicely with labelmates Vorga, Let’s call it… At the Heart of Nuclear Winter. Heavy melodic black metal from the cosmos.
Skaphos – “Abyssal Tower”
Following their 2024 single “Cult of Uzura” with the chthonic and vertiginous “Abyssal Tower,” label newcomers Skaphos mix black and death metal that gestures towards dissonance.
Obscureviolence – “Pulse of Subconscious Cruelty”
The third single from the band’s forthcoming EP Refuting the Flesh (2/14/25). Imagine if someone spilled weird, cryptic black metal all over your Morbid Angel cassette.
Shrine of Denial – “Climbing Through Nothingness”
Arriving March 7th, I, Moloch is sure to turn heads. Not as dense as countrymates Serpent of Old, Shrine of Denial evokes a similarly malodorous atmosphere.
Crown of Madness – “Ashes of Mine”
The game within the game. The last few tracks have been building to this disso-death. For fans of Ulcerate and Devenial Verdict. Album out February 28!
Mors Verum – “Bloodied Teeth”
Notably featuring members of Ischemic and Æpoch, this is the proggier, spacier, more psychedelic side of dissonant death metal. Hans rec’d this band many years ago.
Hexrot – “Heavenward”
We’re in the home stretch, and I’m starting to blackout, but I think fans of Sunless will dig whatever Hexrot is conjuring. “I’m losing my perspicacity!”
Perishing – “Castle of the Leached Body”
Costa Rican death metal royalty from dudes in Astriferous and Mortual playing a morbidly magmatic and insidiously igneous chugged-out death/doom. Xibalba’s “El abismo” comes to mind.
Dwelling Below – “Wearisome Guardians”
Vocalist/drummer Jared Moran plays in more bands than I’ve listened to in my life. This is 13 minutes of sounding the end-time alarm. Skittering, funereal, resigned.
Felgrave – “Pale Flowers Under an Empty Sky”
I’m positive CVSPE was listening to this unholy, nigh-irreconcilable amalgamation of neuron-collapsing avant-garde death metal when designing this year’s Sampler’s artwork. What is happening to me!
Misanthropæ – “Enshrined”
Suffering Hour’s Dwell comes to mind but with more gnarled black metal. Think Kvadrat or Serpent Column. The riff at 6:00 rendered me catatonic. I’m unconscious.
Pillar of Light – “Certain End”
Pillar of Light’s 2024 Caldera is a towering achievement that will, like the works of Amenra, Cult of Luna, and Neurosis, stand the test of time.